Rust dyed cotton handstitched on top of a handwoven stripe and sashiko inspired print
I was happy to find this scrap of a Japanese print inspired by Sashiko patterns. The color picks up the different rust tones of the indigo scrap below. At the top is a bit of screen printed canvas that was a failure, but cut up and overdyed one would never know.
Stitch A Day 2017, Day 15 by Carlyn Clark
I'm half way through the first month! If you've been following along you'll recognize the overdyed Laura Ashley scrap in the top left. Below that is a piece of percale that I folded, bound and dipped in the indigo vat, known as itajime. It looks dipdyed, but that's just because it's such a small piece of the whole fabric. I'm not sure where the stripe on the right came from. It appears to be a handloomed cotton, probably from India. I'm using a lighter colored thread here, again, leftover poly core cotton used to tie up the hiranui bundles.
Stitch A Day 2017, Day 13 by Carlyn Clark
I showed a close-up of this section on Day 2 and today I've added a couple of pieces around it. The far left is the scrap of hem from a pair of pants my daughter shortened, the center is a scrap of upholstery fabric left from a client project and on the right are two pieces of ikat. The bottom is a vintage piece of Japanese cotton that I bought years ago at Yoko Japanese Antiques, a wonderful little shop in South Pasadena. (I can't find them on the web, I'll have to drive by one day and see if they're still in business.) The top piece is a modern indian ikat fabric. The old japanese scrap is a beautiful weight and quality. The indian piece is a bit thin and loosely woven.
Stitch A Day 2017, Day 12 by Carlyn Clark. Overdyed vintage Laura Ashley cotton
Once again I've overdyed a small scrap of cotton I had. This is an old Laura Ashley print from the 80's. Laura Ashley was one of the first designers that got me hooked on prints. Although most of her prints seem a bit dated to me now, a quick dip in the indigo vat makes them work here. The book "Laura Ashley Style" is a great resource for understanding her use of traditional historic fabrics and seeing how they're interpretted for modern applications.
Stitch A Day 2017, Day 11 by Carlyn Clark. Adding a bit of block printed cotton.
Today I've added a piece of block printed cotton. If you've been following along you might have some sense of where this is, having seen the piece on the right and the piece on the bottom in prior pictures. I'm going to continue photographing close up pictures until I begin the decorative stitchin. Until then, it remains a mystery. To me most of all!
Stitch A Day, 2017: Day 10 by Carlyn Clark; adding a bit of serape
Today I added a little scrap of one of my favorite textiles, a serape. It's more serape-inspired, but it definitely makes you think it's a serape, just without the bulk and the propensity to fray faster than you can stitch. The weft yarns are an orangey-pinkie sort of color which relates to another little scrap that you can't see in this photo. At the bottom is another section of the block printed cotton I overdyed in the indigo vat. At the top is a scrap leftover after trimming a pillow cover that had been machine topstitched. I really never, ever throw away any scrap. I have one of these cheap plastic drawer bin things and have one drawer dedicated to bits and bobs. After I trim something I scoop all the scraps into the drawer. I use them almost as quickly as I stuff them in there.
adding a bit of color for day 9 of the 2017 Stitch A Day Challenge
Everything was looking too much the same, so today I found a couple of scraps with more color. On the lower right is a piece of fabric I'd block printed on years ago. It was awfully muddy and drab, so like just about everything in my life that is white, cream or natural, it had a couple of dips in the indigo vat. To my eye, everything looks better after it's met indigo! I'm constantly amazed that no matter what I throw in the vat, it comes out looking better.
Making new cloth by stitching together bits and bobs
Just a few more stitches today with the aim of getting a nice big area laid out to begin decorative stitching. I'm still using the cotton core thread that I use when pole wrapping cloth for the shibori indigo vat as the stitching thread. It's a nice weight, and given it's a poly core under the cotton it's very strong. The cotton top layer of the thread takes the dye nicely. The pole wrapping creates interesting variations in color, all the way from clearest white to dark indigo blue.
